Everyone’s heard the saying “a picture is worth a thousand words,” but does it hold up when you’re actually counting the words?

Among writers, the subject of outlining seems to be a fundamental ongoing process question: to outline or not to outline, and also when, and in how much detail, in what form, and how closely to follow it. For the record, I’m a firm believer in outlining, and tend to make progressively more detailed outlines as a project unfolds. I also tend to sketch various ideas for the scenes I’m working on, and collect photographic references.

Visual references may not be talked about as much as outlining, but I think it’s a great tool, and at the recent Wordcrafters writers conference in Eugene, I noted both Terry Brooks and Elizabeth George talking about the use of visual references in their work. Mine tend to take the form of little maps or sketches of characters, visual details, or dramatic moments. I also look for ideas and take photographs at various locations, and use image searches on the internet.

Today I thought it would be fun to take a look at a few sketches from recent chapter outlines and do the math to figure out how many words a picture is really worth. In most cases there were multiple little sketches per chapter, so I took the number of words in the completed chapter and divided by the number of sketches. Here are a few pictures with their associated word counts.

2014-04-09 09.52.41

481.8 words

2014-04-09 09.54.39

298.4 words

2014-04-09 09.56.57

509 words

2014-04-09 09.57.45

410 words

2014-04-09 09.57.58

679 words

When I averaged everything up it turned out a picture is actually worth about 445.33 words. It was a lot less than a thousand, suggesting that pictures, while incredibly useful, may be slightly overrated. However, this was a very limited study of only a few sketches made by a single writer for a small sample of chapters. More research is needed.

Surely this doodle is worth a thousands words, but I haven’t written the chapter yet.

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*First published on ShadowSpinners.

fantasy-jewelry-3My body swapping, sci-fi farce “Buyer Beware” will be translated for the Italian language magazine DUDE. The story was previously published in Every Day Fiction, and the English language version can be read there.

I’m excited to have another story translated, and to reach a new audience. The online magazine is beautifully designed, and appears filled with fiction and various culture pieces. No word yet on when my story will appear, but I will post when I know more.

dungeon 002lw

One of my dungeon maps is now appearing in the French RPG eZine La Saltarelle thanks to editor, Fabrice P. This is a little dungeon I drew while experimenting with a stark black and white style. In this map I used gray in the lower caverns to add depth to the levels.

The map appears with a contest (pg 39). Readers can enter by writing their ideas for the history and inhabitants of this dungeon and sending them in. Top two entries will receive a copy of Temple du Dieu Néant or a paper copy of  l’Étrange Manoir. I’m pretty excited to see what people come up with!

There are a couple of different ways you can check it out this eZine, and even if you don’t read French, there are some really cool illustrations to enjoy! You can read in an online reader, or download a zipped pdf.

For more information on this eZine, you can also visit the Editions La Saltarelle webiste.

 

 

public_domain_astronomy_25

“Buyer Beware” is now up at Every Day Fiction. This very short story follows the professional woes of Trader Klorg and some personal complications that arise during the trans-galactic trading convention. What can I say, unregulated interstellar trade has its drawbacks.

Hope you enjoy the story! Please share, rate, and review if you have a chance.

My body swapping sci-fi farce “Buyer Beware” will appear in Every Day Fiction sometime in the next two months. This is one of the most comedic stories I’ve written, so it has a special place in my mind.

Readers of my horror stories may be surprised by the ending, but I think there is still a touch of the weird and strange in this tale of a body swapping alien and the woes of unregulated interstellar trade.

Will post again once the story is up. In the meantime, check out Every Day Fiction. They post a short story every day, always under a 1000 words.

“Show not what has been done, but what can be. How beautiful the world would be if there were a procedure for moving through labyrinths.” – Umberto Eco, The Name of the Rose

dungeon symbols

pdf version

The labyrinth, the dungeon, and the mythic underworld are all time honored traditions in story telling and games, from Theseus and the Minotaur to the “Tomb of Horrors,” from Galouye’s Dark Universe to the mines of Dwarf Fortress. When you start thinking about underworld settings the examples are really innumerable.

Growing up I spent uncounted hours drawing dungeons and labyrinths to use in stories and games. I was always fascinated by the icons and symbols used in maps to represent various things, and symbols for dungeon maps were no exception.

I’ve continued to use my map drawing experience to sketch out settings for my stories and I recently gotten back into game maps. Above you will find my own key to various dungeon symbols for any like minded cartographers out there.

Here’s some examples of my game maps:

old dungeondeep levelsinky black

grand entrancewater dungeonwizard's lair

A Strange Habit

writer's desk

There’s a story that Robert E. Howard used to envision the ghost of King Conan behind him, ready to lop off his head with an axe if he didn’t keep writing. Never mind that this is probably an apocryphal story. It’s still a great image, and whatever Howard was doing to get his stories written, it worked!

Work habits are a subject of endless conversation when it comes to the creative process of writers. Numerous books and excellent teachers suggest various methods of accomplishing the noble goal of putting words on a page, and offer plenty of encouragement along the way. The most consistent truth, however, is simply that writing is hard work and the methods for getting that work done vary from writer to writer.

I have a lot of tricks to keep me writing: new locations, graph paper, computer setup, a cup of tea, timed sessions, word counts, and so on. We develop habits, of course, particular to our individual sensibilities. Sometimes these habits become rituals, even obsessions. There’s plenty of room for eccentricities.

Hemingway wrote standing up. Nabokov wrote everything on notecards. Ibsen wrote in the presence of a giant oil painting of his greatest rival. Hugo wrote naked, and had his valet hide his clothes to ensure he wouldn’t go out. The ancient Greek writer Demosthenes accomplished the same thing by shaving one side of his head before beginning to write. The list goes on, from Balzac’s coffee and lucky monk’s robe, to Dickens’ ritualized desk arrangements, from Dumas’ fresh apples to Schiller’s rotten apples.

As it turns out, there’s even some neuroscience to explain why these weird rituals work. Like a Pavlov’s bell, rituals associated with writing may cue creativity and productivity. (See “Why Weird Writing Rituals Work” by Rosanne Bane)

Most of the habits of writers we will never know, because they are done in solitude. But the purpose of some seemingly strange behaviors is almost always the same, and that is to help one engage in the most important habit of all: actually writing.

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*First published on ShadowSpinners.