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Read “Crawlspace” Online

“Crawlspace” was first published in S&M Horror where it placed 3rd in their monthly short story context. It is no longer on their site, but can now can be read here. (There’s also a link on the sidebar.)

I had the idea for this story while standing in my living room one day and thinking about how odd it was that there was this expanse of dark space just beneath the floor, an emptiness that we seldom think of, and in which something strange might dwell.

I’ve had various adventures in the crawlspace of my house. Once I made an exhaustive search for something dead that I never found. It was stinking up the whole house. If you ever have this problem, don’t worry the smell goes away in a week or so. Just don’t think about it too much afterward. Another time I went in there trying to get into my garage after locking myself out, but the hole that had once been there had been sealed up. And there really was a mummified cat down there when I first moved in.

Hope you enjoy the story! Don’t call me if you hear something in your crawlspace.

Dark Mage of Midgard: 1st Draft Finished

The first draft of Dark Mage of Midgard is finished. This is the second book in The Three Earths trilogy. The manuscript is 116,000 words, just slightly longer than the first book.

In this book Anna Karova and Ken Ashbury are swept up in a war that is spreading across three parallel worlds. Only Anna can change the course of the future, but can she stop a war that has already begun?

The challenge of this installment of the overall story was in balancing the multiple characters and plot-arcs involved. I’m excited to be done. I am looking forward to the rewriting/editing process, and ultimately to writing the third and final book of the trilogy.

New Story Online

The Music of Timothy Shean” is here for all those who missed it when it was first published in Dark Recesses Magazine in August 2009.

My own history of playing the piano is long in years but short on skill and practice. I played for two or three years when I was in middle school. Took it up again briefly when I was in college, and again in 2008. This time I was keen on figuring out various technical aspects of music that never seemed adequately explained to me.

I did manage to unravel a few mysteries, but many more questions constantly arose. In the midst of all this research I had the idea to write a story about a cursed scale. I have long been a fan of H.P. Lovecraft’s story “The Music of Erich Zann” and had in mind to write my own musical tale of horror set at Auxerre University.

I am rather fond of this story. It is the fifth one I have written with some connection to the strange town of Auxerre, Wisconsin. Two others can also be read online, “Crawlspace,” and “Old Growth.” Many of the details about Auxerre and the University trace their way back to my own experiences as an undergrad at the University of Wisconsin in Madison.

The Lessons of Psychohistory

It’s interesting to me how casually we accept things like climate change, unchecked population growth, and environmental destruction. Not to downplay the many worthwhile and important steps one can take to help control these problems, but as a whole, humanity seems to sense that certain things have a momentum far greater than themselves. It is as if, at a certain level, we intuit the inevitability of certain trends once the momentum of the planet is headed in a particular direction. After all, the structure of our entire civilization and continued existence is built up around that momentum.

Isaac Asimov expressed this idea quite succinctly in his book Foundation. Early in the story Dr. Seldon explains to the Commission of Public Safety of the Galactic Empire just why the future is so difficult to change. “The psychohistoric trend of a planetful of people contains a huge inertia. To be changed it must be met with something possessing a similar inertia. Either as many people must be concerned, or if the number of people be relatively small, enormous time for change must be allowed.”

Although the future of a planetful of people may be difficult to change, it is not impossible. In fact, working to change the fate and suffering of future generations is exactly what got Dr. Seldon into the trouble he is in to begin with. Yet part of the problem, I believe, is an inability to deal with long term problems and problem solving. Dr. Seldon was looking at how events would play out over five hundred to thirty thousand years, and putting a project into effect that would span generations. In today’s world we have a hard time seriously looking and planning effectively for anything farther out than a few years, and even less hope of carrying out projects that last longer.

This limited attention span is understandable. After all, it has worked pretty well for us for the whole course of our evolutionary history so far. During the bulk of our existence, most dangers were quite immediate and our life-spans were even shorter than they are now. So it’s not surprising that we have a hard time dealing with long term problems. Our individual and group psychology has evolved so far to deal with fairly short-term problems. Avoiding various future crises in human history will take a willingness and ability to engage in longer term planning, and the global consensus to act accordingly. I wonder what the statistical probability of that is. Dr. Seldon?

You can live or die by anything

In martial arts there is a saying: “you can live or die by anything.” It means there is no single principal or movement that is guaranteed to save you. For example, it’s good to breathe, essential for survival, but if you try it underwater you will have serious problems.

It’s not surprising to find that this is true for writing as well. Writers find all kinds of ways to keep up their momentum, but all these methods are only good as long as they help you get the work done. If they stop being useful you must be ready to adapt.

Previously I’ve written about how I use word count goals to help keep my productivity up. Today, however, I spent a lot of time working on a new way to track my word count instead of actually writing words. Something that once worked as a motivator was suddenly a distraction.

I spent a good portion of the day essentially procrastinating. Finally I had to throw all thoughts of it aside, stop worrying about the damn word count, and just get some work done. The moment is what matters.

It is now 2010

Welcome to the future, everybody. Even though we don’t have a flying cars or a robot housemaids, at least we’re all still here. And there’s a lot to be thankful for.

I have two quick updates to start the year:

1: “The Music of Timothy Shean” is no longer up at Dark Recesses. It is now officially in a past issue. However, I hope to make this story available online again soon.

2: The first draft of Dark Mage of Midgard should be finished by March. I’m excited about writing the ending and looking forward to rewrites and editing.

Dark Mage of Midgard > 70,000 words

The first draft of Dark Mage of Midgard has surpassed the 70,000 word mark. This is Book Two in The Three Earths Trilogy. I have definitely passed the mid-way point and am looking forward to the rest.

This middle book of the trilogy may run a little longer than the first. I’ve had to adjust my time table a bit, but I hope complete a draft by early 2010. More updates as the work progresses.

Creative High

Liz Engstrom‘s science fiction story weekend at siltcoos station was a lot of fun and a real whirlwind of creativity. I met a bunch of fantastic writers, made new friends, and got to hear some great new stories.

I stayed up until 3am Friday night writing my story, “One Breath and the Deep.” At 3:30 I saw six meteors streak overhead and went out on the long dock in the dark, where something was splashing around in the water, probably fish, but kind of spooky in the mist and silence.

Saturday morning I took a long walk down the train tracks and saw the trestle bridge from the movie “Stand by Me.” I walked part of the way out onto it. Luckily a boat came instead of a train, but nevertheless it was time to head back. Breakfast sounded so much more appealing than finding a dead body.

I reviewed my story twice in the morning. In the afternoon I took a nap, made two illustrations, and fleshed out an idea for a horror story that’s been knocking around in the back of my mind. People worked all through the day and Saturday night we read the stories. What a treat! We heard a whole anthology of wonderful science fiction in one evening. It was such a joy to be around so many writers and hear what they had done in the last 24 hours, really great stuff.

I’m already looking forward to the next one.

Science Fiction Story Weekend with Elizabeth Engstrom

I’ll soon be heading to a science fiction writing workshop on the coast with Elizabeth Engstrom, the author of When Darkness Loves Us and The Northwoods Chronicles. The pre-workshop meeting focused on conceptions of science fiction, ideas for world building, and meeting a great group of writers I’ll be spending the weekend with. We’ll all be drafting short stories in a 24 hour period.

At the meeting Engstrom emphasized Theodore Sturgeon’s definition of a good science fiction story as “a story about human beings, with a human problem, and a human solution, that would not have happened without its science content.” She also talked about two distinct strategies for world building, top-down and bottom-up. As you might imagine, a top-down approach starts with creating a general overall picture of a world, while a bottom-up approach starts with a focus on a few detailed elements needed for a story.

Autographed copies of Engstrom’s latest books are available on her website, as well as writing tips, upcoming seminars, and a link to her blog, “One Writer’s World.”

Read “The Music of Timothy Shean” at Dark Recesses Magazine

“The Music of Timothy Shean” is now up at Dark Recesses Magazine. I love the look of this magazine and it’s a thrill to be at the top of their page right now. I hope you all enjoy the story, and share a link with friends. This is the 5th story that I’ve written that features some connection to the strange town of Auxerre, WI and the 3rd one to be published. If you enjoy “The Music of Timothy Shean” you can also read “Crawlspace” and “Old Growth” online.