Creativity On Demand

It was another great weekend at Liz Engstrom‘s Ghost Story Workshop. Once again, a band of 13 writers gathered in Blue River to write complete short stories in a 24 hour period (<3000 words). As usual, I stayed up until about 3am Friday working on my story. I even started a second one Saturday afternoon this time.

The camaraderie is always inspiring, and the Saturday night readings were amazing. I heard some really great stories by some seriously talented writers, all written within the previous 24 hour period. It’s like hearing a new anthology, fresh off the press.

NaNoWriMo is this month and people all over are attempting to write 50,000 word novels. I can’t help thinking we should have a National Short Story Writing Weekend as well, when people could collectively try their hand at writing stories in a 24 hour period. There’s something exhilarating about the experience of creating fiction with a deadline.

Plain Text for Writers, Part I: An Argument for the Use of Plain Text

Writers have a vested interest in the tools they work with and the preservation of their work. Today, almost all writers use a computer at some stage of their work, but in the age of ubiquitous word processors, few have considered the benefits of plain text. When you use a word processor or save a file in .docx, .doc, or even .rtf format, your file is unreadable without the software to decode it. It might look something like this if opened in a text editor:

MÄn‡i‰–ØP¢@ÒI}Úã€Ãºa‡Øm‡a[Ø¥û4Ù:lЯ°GR’ÅX^’6ØŠ­>$ùãûÿ©«×îÇ!)OÚ^ýrÍC$ñy@“°íÝö/­yH*œ˜ñ„´½)‘Þµ÷ß»Š×`}

or this:

7509af678b985ab0b6b4ae6f7ed9ba6c4170b06c788a705430adf71bad2b5b057d03606a1ed7ebf5babd7a41cf00b0

Good luck reading your brilliant work. In contrast, a .txt file (plain text) can be opened in a readable format by any text editor or word processor on any platform. It can even be accessed from a command line.

Without getting too political (software companies control the decoding of your information), or philosophical (WYSIWYG is not what you think), or ideological (plain text is free text), the following will argue for the use of plain text for writers on the basis of its simplicity and content oriented focus, cross-platform compatibility, and benefits for long term archiving.

Writing is the logical and artful arrangement of words to express thoughts. It is not choosing fonts, indentations, headers, footers, gutters, and margins. Formatting is best done when preparing a document for a specific purpose or publication. Writing in plain text offers a simple environment focused on the task at hand. Your manuscripts will stay clean and free of unnecessary code. Plain text can be easily pasted into other applications, and can always be formatted later using a word processor.

Everybody knows there are compatibility issues with word processors. Even software that claims to be compatible with .doc or .rtf, for example, sometimes have issues. Writers need to know that they can access their files from any computer or device, use the text in other applications, and share them without worrying about compatibility issues. No other file format is as cross compatible as plain text.

Now more than ever, master documents are likely to be stored in electronic format. Not only are plain text files more compatible than any other file format, they take up less disk space and avoid a lot of the data storage problems encountered with other file formats. Say you need to access a short story you wrote on a computer in 1985? If you saved it in plain text, it’s no problem. Want your files to be readable in the year 2185? Again, save them in plain text.

Alas, there are some obstacles to using plain text as a writer. The first is finding a good text editor. Most word processors can save documents in plain text, so you could really use anything, but a text editor is designed to work with plain text. Most text editor are made with programmers in mind though, and many lack features that are important to writers, like spell check and word count. There are some good free ones though, and some even better commercial ones. I recommend NoteTab Pro for a feature rich environment and Q10 for simplicity.

Acceptability is also an issue. Standard manuscript formats are based on typewritten manuscripts and can only be formatted using a word processor. Unless plain text formats are adopted, editors are still going to want manuscripts as an .rtf in standard manuscript format. This means it’s necessary to format the text file before sending it out. An extra step, but it’s easy to do, and worth it for the benefits of working with plain text.

Plain Text for Writers, Part II: A Proposal for a Plain Text Manuscript Format

Plain Text for Writers, Part III: A Quick Guide to Working with Plain Text

Additional Information:

http://en.wikipedia.org/wiki/Plain_text

http://en.wikipedia.org/wiki/Text_file

http://en.wikipedia.org/wiki/Text_editor

Borders Liquidation

Took a stroll through the local Borders liquidation sale today. There was a strange feel in there. The cafe was closed, many of the shelves were in disarray, and it felt a little like a sign of the times. Is it the end of books as we know them?

Paper books will surely persist for a long time to come, but book stores may not. The book industry is changing quickly. I’m not sure anybody really knows what it will look like ten years from now, but it’s likely to be very different.

Will the downfall of big chain bookstores allow smaller stores to flourish again, or are we seeing the end of brick and mortar bookstores all together?

Going Paperless?

I have always been a staunch supporter of the paper and pen, so when my latest short story went from rough draft to final draft without ever being printed on paper, I had to wonder if I had taken a bold new step into the future. To be fair, I had made a number of paper notes before starting the story, but everything else was done with electrons.

I wrote the first draft of “The Gift” at weekend writing retreat. Previously I had lugged along a laser printer to these things, but the printer being out of ink, I left it behind, editing my work on screen and using a kindle for the Saturday night reading. Despite the lack of paper, all went well.

Of course, I figured I would print it out when I got home for further editing, but that didn’t happen. I ended up re-reading it and making editing notes on the kindle. With the final changes and corrections entered into the computer, it’s ready to submit, mostly via email.

The question remains if the editing process can be as efficient or effective without paper and pen, but I think it worked well for this project anyway. Some writers have pretty much gone paperless with their work. I’m not sure I’m ready to make that total commitment, but I have to admit I cringe every time I shell out $70 for a printer cartridge. And with this recent success, perhaps I’ll be doing that a little less.

Idea to First Draft

My writing methodology has evolved over time and by necessity varies from story to story. That being said, there is generally a definable process. At the beginning is always an idea: it could be a situation or a setting, a character, a feeling, a fragment of a dream, or any number of other things. But it’s definitely not a story yet. The tricky part is turning that idea into a story.

The process starts with some heavy brain-work. It may appear that I am just laying around on my bed, sitting in the bathtub, or staring out the window, but bit by bit I’m building the makings of a story around my initial idea. I try to figure out who the protagonist is, the central conflict, and get some sense of a beginning, middle and end.

Once I feel like I have a bit of story, I really try to refine it, sometimes in my head, and sometimes on paper. The essence of this step is telling the story to myself over and over and breaking it down into scenes. Each time I revise a little, adding new images, taking out plot that doesn’t work, refining the plot that does, until I have an outline with a well defined conflict and a clear beginning, middle and end mapped out in scenes. At this point, I may have a sense for what the story is about thematically as well.

Then comes the actual writing. Generally I follow my outline, but there are always surprises, details to be worked out, and new things to be discovered and invented when putting the words on the page. There is also the craft and the art of the language to attend to as well. Mostly I just try to plow ahead toward the end, not editing or over-thinking too much.

The editing/rewriting process is still to come, but it’s a great feeling when you get to the end and have a first draft. That flicker of an idea, whatever it was, is now a story, and despite all the work, there’s something sort of magical about that.

Paper Books Endangered?

A gift certificate led to an interesting trip to the local Barnes & Noble today. I hadn’t been there in a while and was surprised to find very few books when I walked in the door. Half the front of the store was a display for their ebook reader and the other half seemed to be games, toys, and random stuff. For a minute I wondered if they even had books anymore. It turns out they do, but almost all the paper books were in the back of the store and there did seem to be fewer of them. A quick check on the internet when I got home revealed that Amazon has been selling more ebooks than hardcovers for a while now.

Is the paper book in its death thoes? I’m not sure that’s true, but something is definitely happening. It seems to me there will always be a place for paper books, however diminished, but there’s little doubt that the system for publishing, marketing and distributing books is in a state of dramatic transformation. Where all the pieces are going to land is the subject for a lot of speculation in the news, but I feel like I just read the writing on the wall.

Also, I’ve thought about getting a Kindle.

A New Year in Writing

It’s been a good year for writing. In 2010 I finished Book 2 in The Three Earths trilogy along with a handful of short stories. I’ve been busy editing for the last few months and am getting close to moving on to further projects.

I’m looking forward to a lot of exciting work in 2011, including writing Book 3 in The Three Earths and again, as many short stories as I can find time for. Hopefully a few more updates here as well.

Best wishes for the new year!

Read “Crawlspace” Online

“Crawlspace” was first published in S&M Horror where it placed 3rd in their monthly short story context. It is no longer on their site, but can now can be read here. (There’s also a link on the sidebar.)

I had the idea for this story while standing in my living room one day and thinking about how odd it was that there was this expanse of dark space just beneath the floor, an emptiness that we seldom think of, and in which something strange might dwell.

I’ve had various adventures in the crawlspace of my house. Once I made an exhaustive search for something dead that I never found. It was stinking up the whole house. If you ever have this problem, don’t worry the smell goes away in a week or so. Just don’t think about it too much afterward. Another time I went in there trying to get into my garage after locking myself out, but the hole that had once been there had been sealed up. And there really was a mummified cat down there when I first moved in.

Hope you enjoy the story! Don’t call me if you hear something in your crawlspace.

New Story Online

The Music of Timothy Shean” is here for all those who missed it when it was first published in Dark Recesses Magazine in August 2009.

My own history of playing the piano is long in years but short on skill and practice. I played for two or three years when I was in middle school. Took it up again briefly when I was in college, and again in 2008. This time I was keen on figuring out various technical aspects of music that never seemed adequately explained to me.

I did manage to unravel a few mysteries, but many more questions constantly arose. In the midst of all this research I had the idea to write a story about a cursed scale. I have long been a fan of H.P. Lovecraft’s story “The Music of Erich Zann” and had in mind to write my own musical tale of horror set at Auxerre University.

I am rather fond of this story. It is the fifth one I have written with some connection to the strange town of Auxerre, Wisconsin. Two others can also be read online, “Crawlspace,” and “Old Growth.” Many of the details about Auxerre and the University trace their way back to my own experiences as an undergrad at the University of Wisconsin in Madison.

The Lessons of Psychohistory

It’s interesting to me how casually we accept things like climate change, unchecked population growth, and environmental destruction. Not to downplay the many worthwhile and important steps one can take to help control these problems, but as a whole, humanity seems to sense that certain things have a momentum far greater than themselves. It is as if, at a certain level, we intuit the inevitability of certain trends once the momentum of the planet is headed in a particular direction. After all, the structure of our entire civilization and continued existence is built up around that momentum.

Isaac Asimov expressed this idea quite succinctly in his book Foundation. Early in the story Dr. Seldon explains to the Commission of Public Safety of the Galactic Empire just why the future is so difficult to change. “The psychohistoric trend of a planetful of people contains a huge inertia. To be changed it must be met with something possessing a similar inertia. Either as many people must be concerned, or if the number of people be relatively small, enormous time for change must be allowed.”

Although the future of a planetful of people may be difficult to change, it is not impossible. In fact, working to change the fate and suffering of future generations is exactly what got Dr. Seldon into the trouble he is in to begin with. Yet part of the problem, I believe, is an inability to deal with long term problems and problem solving. Dr. Seldon was looking at how events would play out over five hundred to thirty thousand years, and putting a project into effect that would span generations. In today’s world we have a hard time seriously looking and planning effectively for anything farther out than a few years, and even less hope of carrying out projects that last longer.

This limited attention span is understandable. After all, it has worked pretty well for us for the whole course of our evolutionary history so far. During the bulk of our existence, most dangers were quite immediate and our life-spans were even shorter than they are now. So it’s not surprising that we have a hard time dealing with long term problems. Our individual and group psychology has evolved so far to deal with fairly short-term problems. Avoiding various future crises in human history will take a willingness and ability to engage in longer term planning, and the global consensus to act accordingly. I wonder what the statistical probability of that is. Dr. Seldon?